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Archive for December 2011

31
Dec

Best and Worst Films of the Year

OK in no particular order here’s my list of the films I have enjoyed and admired over the course of 2011. I’m sure there are terrible omissions – feel free to remind me in the comments!

BEST:

Myth of the American Sleepover

I bet you didn’t see it, but it is on Netflix so find a quiet mood and do yourselves a favor. Sweet, gentle, authentic and beautifully performed.

Drive

An exercise in pure filmmaking style that actually works.

Attack the Block

Best aliens attack a Sarf London tower block and get spanked movie ever.

Midnight in Paris

Sweet, appropriately slight, a wonderful fantasy. And who knew Owen Wilson could be this good?

Tinker, Tailor, Soldier, Spy

Best adaptation of the year. Beautifully written, shot, directed and acted. Just a classy piece that shouldn’t have worked, but does. Best use of flashbacks I have seen in ages.

Weekend

Well observed, wonderfully acted. Says more about relationships – gay or straight – than just about all of the romantic comedies ever made.

Young Adult

Flawed, but quite brave at times. It avoids the easy choices and allows nasty people to be irredeemable – the cast are all terrific, especially Patton Oswalt.

Shame

A curate’s egg, but Fassbender’s performance hides enough of the rotten bits for it to make the list.

Le Havre

The best Jean Pierre Melville movie made by a mad Finn in 2011. Completely human, and tender in a minimalist way – don’t miss it.

The Descendants

I know, who knew? It’s actually so much better than the trailer and Clooney does a lot more than: look down… look up… The girl who plays his daughter is excellent.

Honourable mentions:

The Guard

Bridesmaids

Source Code

Margin Call

Moneyball

The Artist

I still need to see: Take Shelter, The Mill and the Cross, A Dangerous Method, Martha Marcy May Marlene and A Separation so they were not in consideration.

WORST:

Cowboys and Aliens

When pointlessness attacks.

Sucker Punch

I was the sucker for going, but even the punch lacked punch.

Transformers: Dark of the Moon

Write your own Michael Bay joke here. It’s just too depressing…

Melancholia

Oi, Emperor – I can see through your new clothes!

The Green Lantern

When bullshit exposition attacks! Again… and again…

Hesher

They threw a bunch of indie tropes at the wall. None stuck.

J. Edgar

Make up your mind, what is this film about? A real missed opportunity.

Conan the Barbarian

Come back John Milius, all is forgiven.

The Green Hornet

Frighteningly dull and unfunny.

The Dilemma

Because sometimes ‘meh’ is a crime.

And finally, my ritual “I didn’t see it but I just know it sucked” award goes to:

The Twilight Saga: Breaking Dawn – Part 1

“NO EMO VAMPIRES!” – How many times do I have to write this on my ‘board of sins’?

I thanks you.

14
Dec

Scriptapalooza is coming round again

Because press releases our our friends…

 

Press Release – December 14, 2011

 

Scriptapalooza, Inc., one of the most respected competitions for screenwriting and television in the world, is proud to announce ScreenwritingU as our official online screenwriting classes. ScreenwritingU is an award-winning, Los Angeles-based company that provides the highest quality online screenwriting classes.

 

Hal Croasmun, president of ScreenwritingU, says, “We are proud to have Scriptapalooza designate us as their most trusted source for screenwriting classes and recommend us to those who want to write a screenplay. That means a lot. We are also recommending Scriptapalooza’s Coverage Service to our professional writing group, the ProSeries Alumni, to ensure their scripts are up to industry standards before sending them to competitions, agents, and production companies.”

 

Mark Andrushko, president of Scriptapalooza, says, “This is the first time we have designated a company as our “Official Screenwriting Classes.” We chose ScreenwritingU because of its high quality, professional, practical courses that focus on creating marketable screenplays. The combination of Hal Croasmun’s innovate online screenwriting classes, Scriptapalooza’s professional script analysis, and the impact of our screenwriting and television competitions will offer writers even greater chances for breakthroughs into the film and television industries.”

 

At ScreenwritingU, over 130 ProSeries Alumni screenwriters have either sold or optioned their scripts, landed paid writing assignments from producers, and/or secured agents or managers. See more information on ScreenwritingU ProSeries Screenwriting Class.

 

About Scriptapalooza

The Scriptapalooza Screenplay Competition was founded in 1998 with the goal of discovering promising writers and creating opportunities for them in the fiercely competitive entertainment industry. Divisions include Scriptapalooza Television Writing Competition and Scriptapalooza Coverage Professional Script Analysis.

 

About ScreenwritingU

ScreenwritingU is a Los Angeles-based company with clients worldwide who are building careers as screenwriters. The company provides high quality screenwriting classes, teleconferences, newsletters, and articles; special events for meeting Hollywood producers, agents, and managers; screenwriting contests and opportunities for landing jobs; and access to exclusive offers from top script marketing sites, critique services, and coaches.

 

http://www.scriptapalooza.com

http://www.screenwritingU.com

 

9
Dec

Amazon Studios Competition: logline to script

Here’s how it works


•  By December 14, submit your pitch in a “beat sheet,” outline, or narrative format of about 1,500 words detailing the script you’d like to write based on the premise for Original Soldiers. Make sure it fully details the story from beginning to end, including the plot, characters, and tone.

•  Writers of the top five pitches will get $10,000 each to produce a 10–page treatment – a more detailed version of the story.

•  The writer of the best treatment will get a chance to write a first draft (which pays $40,000) and a second draft (which pays another $25,000). Throughout the process, the selected writers will get feedback and advice from the Amazon Studios Story Department.

•  Proposals will be evaluated by the Amazon Studios development staff for quality and creativity. We will request feature writing samples from selected writers by December 21, 2011, and based on the pitch and writing sample, we will evaluate and notify selected writers by mid–January 2012.

Pitch submissions are due by December 14, 2011.

Get inspired by reading more about the project here and watching the trailer here. Then start writing! Learn more.

Not the right opportunity for you? Go to Amazon Studios to learn about ways you can win money and build a worldwide audience for your script.

6
Dec

Wonderful Photo Competition Entry!

Great news today – evidence that the lads Hitchcock and Welles are fans of Write What You Don’t Know! It warms the heart and tickles the ticklish spots:

 

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